我要吃瓜

Professor John Izod

Professor Emeritus

Communications, Media and Culture 我要吃瓜, Stirling, FK9 4LA

Professor John Izod

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我要吃瓜 me

I am Emeritus Professor of Screen Analysis and have worked in Stirling since the establishment of film studies here in 1978. I have retired but continue to pursue the research interests that have fascinated me for years.

Research (2)

Cinema as Therapy: Grief and Transformational Films is the latest work reflecting my research interest in the Post-Jungian analysis of film and television. Joanna Dovalis and I have begun work on its successor talking into account recent theoretical developments. ?I was Co-Investigator on an AHRC-funded project British Silent Cinema and the Transition to Sound, 2014 to 2017. From 2007 to 2010 I led a team in a three-year research project on The Cinema Authorship of Lindsay Anderson, funded by the Arts and Humanities Research Council.? ?I am the author of several books, in addition to numerous articles. The books include: Reading the Screen (Longman 1984)? ?Hollywood and the Box Office, 1895-1986 (Macmillan 1988)? ?The Films of Nicolas Roeg (Macmillan 1992)? ?An Introduction to Television Documentary (Manchester University Press, 1997) with Richard Kilborn? ?Myth, Mind and the Screen: Understanding the Heroes of our Time (Cambridge University Press, 2001)? ?Screen, Culture and Psyche: A Post-Jungian Approach to Working with the Audience (Routledge, 2006)? ?Lindsay Anderson: Cinema Authorship (Manchester University Press, 2012) with Karl Magee, Kathryn Hannan and Isabelle Gourdin-Sangouard? ?Cinema as Therapy: Grief and Transformational Film (Routledge, 2015) with Joanna Dovalis

Projects

British Silent Cinema and the Transition to Sound
PI:
Funded by: Arts and Humanities Research Council

The Cinema Authorship of Lindsay Anderson
PI: Professor John Izod
Funded by: Arts and Humanities Research Council

Outputs (33)

Outputs

Article

Izod J (2019) Arthur Dulay and John Grierson: fitting Drifters (1929). Visual Culture in Britain, 20 (3: From Silent to Sound: Cinema in Scotland in the 1930s), pp. 261-277. https://doi.org/10.1080/14714787.2019.1686416


Book Chapter

Dovalis J & Izod J (2018) Under the Skin (2013): Images as the Language of the Unconscious. In: Hockley L (ed.) Routledge International Handbook of Jungian Film Studies. Routledge International Handbooks. Abingdon: Routledge, pp. 336-352. https://www.routledge.com/The-Routledge-International-Handbook-of-Jungian-Film-Studies/Hockley/p/book/9781138666962


Conference Paper (unpublished)

Izod J (2017) The Partial Empowering of British Cinema Operators, 1927-33. British Silent Film Festival Symposium, Strand, London, 06.04.2017-07.04.2017. https://www.kcl.ac.uk/artshums/depts/filmstudies/eventrecords/16-17/British-silent-film-festival-symposium-2017.aspx


Book Review

Izod J (2016) Katherine Spring, Saying it with Songs: Popular Music and the Coming of Sound to Hollywood Cinema and Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934. Review of: Saying it with Songs: popular music and the coming of sound to Hollywood cinema by Katherine Spring (Oxford: Oxford University Press, 2013, 229 pages). ISBN 978-0199842223; and After the Silents: Hollywood film music in the early sound era, 1926-1934 by Michael Slowik (New York, NY: Columbia UP, 2014, 384 pages). ISBN 9780231165822. Screen, 57 (3), pp. 379-383. https://doi.org/10.1093/screen/hjw035


Conference Paper (unpublished)

Izod J (2016) Musicians’ Union Campaigns in the Late 1920s. Working in Music: The Musicians’ Union, musical labour and employment, Glasgow, 14.01.2016-15.01.2016. http://www.muhistory.com/wp-content/uploads/Working-in-Music-programme.pdf


Conference Paper (unpublished)

Izod J (2015) British Cinema Exhibitors and Musicians, 1927-33. What is Cinema History?, University of Glasgow, 22.06.2015-24.06.2015. http://earlycinema.gla.ac.uk/blog/wp-content/uploads/2015/02/What-is-Cinema-History-Programme-Final.pdf


Book Review

Izod J (2015) Michael Jackson and the Blackface Mask. Review of:
by Harriet J. Manning, Farnham: Ashgate, 2013, 204 pp. ISBN 9780419455103. International Journal of Jungian Studies, 7 (1), pp. 74-78. https://doi.org/10.1080/19409052.2015.979057


Book Chapter

Izod J & Dovalis J (2014) Terrence Malick’s Diptych. In: Piotrowska A (ed.) Embodied Encounters: New Approaches to Psychoanalysis and Cinema. London: Routledge, pp. 60-74. http://www.routledge.com/books/details/9781315758541/


Article

Izod J & Magee K (2014) Lindsay Anderson and the Legacy of Free Cinema. Journal of British Cinema and Television, 11 (2-3), pp. 351-369. https://doi.org/10.3366/jbctv.2014.0220


Article

Izod J (2013) Nachtmeerfahrten (Night Sea Journeys) (Film Review) [Night Sea Journeys]. International Journal of Jungian Studies, 5 (3), pp. 274-277. https://doi.org/10.1080/19409052.2013.822691


Conference Paper (unpublished)

Izod J & Magee K (2013) Lindsay Anderson, Film, Theatre and In Celebration (Keynote Speech). 20th Annual Scottish Word and Image Group Conference, University of Dundee, 22.06.2013-23.06.2013. http://www.scottishwordimage.org/conferences/2013programme.html


Authored Book

Izod J, Magee K, Hannan K & Gourdin-Sangouard I (2012) Lindsay Anderson: Cinema Authorship. Manchester: Manchester University Press. http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719083389


Article

Izod J & Dovalis J (2012) Physician, Heal Thyself: The Son's Room. Kinema, 37, pp. 5-20. http://www.kinema.uwaterloo.ca/article.php?id=510&feature


Book Chapter

Izod J & Dovalis J (2011) 'Birth: Eternal Grieving of the Spotless Mind'. In: Hauke C & Hockley L (eds.) Jung & Film II: The Return. Hove, East Sussex: Taylor & Francis (Routledge), pp. 66-91. http://www.jungarena.com/jung-and-film-ii-the-return-9780415488976


Book Chapter

Izod J (2011) The physician's melancholia. In: Hockley L & Gardner L (eds.) House: The Wounded Healer on Television: Jungian and Post-Jungian Reflections. Hove, East Sussex: Taylor & Francis (Routledge), pp. 27-42. http://www.routledge.com/books/details/9780415479134/


Book Chapter

Izod J, Magee K, MacKenzie K & Gourdin-Sangouard I (2010) Music / Industry / Politics: Alan Price's Roles in O Lucky Man!. In: Forster L & Harper S (eds.) British Culture and Society in the 1970s: The Lost Decade. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 201-212. http://www.c-s-p.org/Flyers/British-Culture-and-Society-in-the-1970-s--The-Lost-Decade1-4438-1734-1.htm


Book Chapter

Izod J, Magee K, MacKenzie K & Gourdin-Sangouard I (2010) '"What is there to smile at?" Lindsay Anderson’s O Lucky Man!'. In: Newland P (ed.) Don't Look Now: British Cinema in the 1970s. Chicago: Intellect, pp. 215-228. http://www.intellectbooks.co.uk/books/view-Book,id=4699/


Article

Izod J & Dovalis J (2006) Grieving, Therapy, Cinema and Kieslowski's Trois Couleurs: Bleu. The San Francisco Jung Institute Library Journal, 25 (3), pp. 49-73. http://www.jstor.org/stable/10.1525/jung.1.2006.25.3.49; https://doi.org/10.1525/jung.1.2006.25.3.49


Book Chapter

Izod J & Kilborn R (1998) Redefining cinema: Other Genres - the documentary film. In: Hill J & Church GP (eds.) The Oxford Guide to Film Studies. Oxford: Oxford University Press, pp. 426-434. http://ukcatalogue.oup.com/product/9780198711247.do


Research programmes

Research themes