Conference Paper (published)
Interaction Design for Audiences: A Proposition for Building Resilience and Recovery for COVID-safe Independent Cinemas
Zioga P & Vélez-Serna MA (2022) Interaction Design for Audiences: A Proposition for Building Resilience and Recovery for COVID-safe Independent Cinemas. In: Tsitsou L, Rana H & Wessels B (eds.) The Formation of Film Audiences: Conference Proceedings. Studies in the Digital Humanities. Audiences beyond the multiplex: understanding the value of a diverse film culture, Online, 02.03.2021-03.03.2021. Sheffield: Digital Humanities Institute. https://www.dhi.ac.uk/books/film-audiences/interaction-design-for-audiences/
Presentation / Talk
Using readily available social media data to describe sentiments towards transmission-reducing behaviours during the Covid pandemic
Maltinsky W, Manuf S, Den Daas C, Ozakinci G, Gaitens H & Swingler K (2022) Using readily available social media data to describe sentiments towards transmission-reducing behaviours during the Covid pandemic., 23.08.2022-27.08.2022.
Conference Paper (published)
Scriptwriting for Interactive Crime Films: The Case of Scapegoat
Clarke A & Zioga P (2022) Scriptwriting for Interactive Crime Films: The Case of Scapegoat. In: volume 2. Interactive Film and Media Conference 2021: New Narratives, Racialization, Global Crises, and Social Engagement, Online. Interactive Film and Media, pp. 106-121. https://doi.org/10.32920/ifmj.v2i1.1524
Article
Consumer protection messages in alcohol marketing on Twitter in Ireland: A content analysis
Critchlow N & Moodie C (2022) Consumer protection messages in alcohol marketing on Twitter in Ireland: A content analysis. Drugs: Education, Prevention, and Policy. https://doi.org/10.1080/09687637.2022.2028730
Conference Paper (unpublished)
Scriptwriting for Interactive Crime Films: The Case of Scapegoat
Clarke A & Zioga P (2021) Scriptwriting for Interactive Crime Films: The Case of Scapegoat. Interactive Film and Media Conference 2021: New Narratives, Racialization, Global Crises, and Social Engagement, Online, 05.08.2021-07.08.2021. https://interactivefilm.blogspot.com/2021/07/scriptwriting-for-interactive-crime.html
Conference Paper (unpublished)
Interaction Design for Audiences: A Proposition for Building Resilience and Recovery for COVID-safe Independent Cinemas
Zioga P & Vélez-Serna M (2021) Interaction Design for Audiences: A Proposition for Building Resilience and Recovery for COVID-safe Independent Cinemas. Audiences beyond the multiplex: understanding the value of a diverse film culture, Glasgow, 02.03.2021-03.03.2021. https://www.beyondthemultiplex.net/session-9-audiences-accessibility-and-responding-to-the-pandemic/
Book Chapter
“Girl I’m Tryna Kick It with Ya”:: Tracing the Reception of the Embodiment of Girl/Bedroom Culture in “7/11”
Avdeef M (2020) “Girl I’m Tryna Kick It with Ya”:: Tracing the Reception of the Embodiment of Girl/Bedroom Culture in “7/11”. In: Iddon M & Marshall M (eds.) Beyoncé: At Work, On Screen, and Online. Bloomington, Indiana: Indiana University Press, pp. 226-250. https://iupress.org/9780253052841/beyonce/
Conference Paper (unpublished)
Interactive Film History: The Challenge of Classification
Bennett M & Zioga P (2020) Interactive Film History: The Challenge of Classification. MeCCSA Brighton 2020 ‘Media Interactions and Environments’, Brighton, UK, 08.01.2020-10.01.2020. https://staff.brighton.ac.uk/ahs/Publicdocs/FULL%20PROGRAMME%20MeCCSA.pdf
Article
Participation with alcohol marketing and user-created promotion on social media, and the association with higher-risk alcohol consumption and brand identification among adolescents in the UK
Critchlow N, MacKintosh AM, Thomas C, Hooper L & Vohra J (2019) Participation with alcohol marketing and user-created promotion on social media, and the association with higher-risk alcohol consumption and brand identification among adolescents in the UK [Social media, higher-risk consumption, and brand identification]. Addiction Research and Theory, 27 (6), pp. 515-526. https://doi.org/10.1080/16066359.2019.1567715
Conference Paper (unpublished)
From Neurocinematics to Live Brain-Computer Cinema: Audience Research, Co-Authorship and Film Form
Zioga P (2019) From Neurocinematics to Live Brain-Computer Cinema: Audience Research, Co-Authorship and Film Form. ECREA Film Studies Section conference ‘Research Methods in Film Studies: Challenges and Opportunities’, Ghent, Belgium, 18.10.2019-19.10.2019. https://ecreafilmstudies2019.files.wordpress.com/2019/01/programme-web.pdf
Article
Gendered work culture in Free/Libre Open Source Software Development
Lin Y & den Besten M (2019) Gendered work culture in Free/Libre Open Source Software Development. Gender, Work and Organization, 26 (7), pp. 1017-1031. https://doi.org/10.1111/gwao.12255
Article
'Oh Look, a Ferry'; Or The Smell of Paper Books
Driscoll B & Squires C (2018) 'Oh Look, a Ferry'; Or The Smell of Paper Books. TXT, (5), pp. 64-70. https://openaccess.leidenuniv.nl/handle/1887/28849
Article
Data journalism sustainability: An outlook on the future of data-driven reporting
Stalph F & Borges Rey E (2018) Data journalism sustainability: An outlook on the future of data-driven reporting. Digital Journalism, 6 (8), pp. 1078-1089. https://doi.org/10.1080/21670811.2018.1503060
Article
"Enheduanna - A Manifesto of Falling" Live Brain-Computer Cinema Performance: Performer and Audience Participation, Cognition and Emotional Engagement Using Multi-Brain BCI Interaction
Zioga P, Pollick F, Ma M, Chapman P & Stafanov K (2018) "Enheduanna - A Manifesto of Falling" Live Brain-Computer Cinema Performance: Performer and Audience Participation, Cognition and Emotional Engagement Using Multi-Brain BCI Interaction. Frontiers in Neuroscience, 12, Art. No.: 191. https://doi.org/10.3389/fnins.2018.00191
Conference Abstract
Live Brain-Computer Cinema Performance
Zioga P (2018) Live Brain-Computer Cinema Performance. Leonardo, 51 (5), pp. 531-531. https://doi.org/10.1162/leon_a_01671
Website Content
Will mind-controlled films change cinema?
Webber JE, Schwartz D & Zioga P (2018) Will mind-controlled films change cinema?. Chips with Everything [Podcast] 27.07.2018.
Newspaper / Magazine
New research shows how brain-computer interaction is changing cinema
Zioga P (2018) New research shows how brain-computer interaction is changing cinema. The Conversation. 24.04.2018.
Newspaper / Magazine
#DeleteFacebook is still feeding the beast – but there are ways to overcome surveillance capitalism
Lin Y (2018) #DeleteFacebook is still feeding the beast – but there are ways to overcome surveillance capitalism. 26.03.2018. https://theconversation.com/deletefacebook-is-still-feeding-the-beast-but-there-are-ways-to-overcome-surveillance-capitalism-93874
Newspaper / Magazine
Digital tech companies need to be more open to protect our privacy and online data
Lin Y (2018) Digital tech companies need to be more open to protect our privacy and online data. The Scotsman. 20.03.2018. https://www.scotsman.com/future-scotland/tech/yuwei-lin-digital-tech-companies-need-to-be-more-open-to-protect-our-privacy-and-online-data-1-4708181
Article
Enheduanna – A Manifesto of Falling: first demonstration of a live brain-computer cinema performance with multi-brain BCI interaction for one performer and two audience members
Zioga P, Chapman P, Ma M & Pollick F (2017) Enheduanna – A Manifesto of Falling: first demonstration of a live brain-computer cinema performance with multi-brain BCI interaction for one performer and two audience members. Digital Creativity, 28 (2), pp. 103-122. https://doi.org/10.1080/14626268.2016.1260593
